Amy M. Burns

Elementary Music Technology and Integration

Amy M. Burns has taught PreK-grade 4 general music for over 25 years at Far Hills Country Day School (FH) (https://www.fhcds.org/). She also teaches grade 5 instrument class, directs the FH Philharmonic, is the Performing Arts Department Manager, and teaches privately in the after-school conservatory after being the director for over 20 years. She has authored four books and numerous articles on how to integrate tech into the elementary music classroom. She has presented many sessions on the topic, including four keynote addresses in TX, IN, St. Maarten, and AU. She is the recipient of the 2005 Technology in Music Education (TI:ME) Teacher of the Year, the 2016 New Jersey Music Educators Association (NJMEA) Master Music Teacher, the 2016 Governor’s Leader in Arts Education, and the 2017 NJ Nonpublic School Teacher of the Year Awards. Her most recent publication, Using Technology with Elementary Music Approaches (2020), published by Oxford University Press (OUP) is available from OUP and Amazon. Burns is also the Community Coordinator for Midnight Music (MMC) at https://midnightmusic.com/, the General Music Chair for NJMEA Board of Directors, and the Elementary Music Consultant for MusicFirst (https://www.musicfirst.com/), a company built by music educators for music educators, dedicated to helping music teachers and their students make the most of technology in the classroom.

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Stuck on Improvisation? Add a Backbeat!

https://youtu.be/9D9hGVgOhiI

This past weekend, I had the pleasure of both presenting at and attending the Elementary Music Summit: January Refresh hosted by That Music Teacher
👉 https://www.thatmusicteacher.com/summit

One of my favorite parts of attending professional development like this is how it either introduces brand-new ideas or gently reminds me of strategies I once loved—but somehow let slip away. This summit did exactly that.

One idea that truly reignited my creativity was creating and improvising with a backbeat.

Bringing Back the Backbeat

I’ll be honest—I hadn’t intentionally worked with backbeats in years. Yet it’s such a powerful way to support steady beat, form, listening, and student creativity.

There are several easy ways to generate a backbeat in the elementary music classroom:

  • Use looped backbeats from YouTube (great for instant engagement)

  • If you have a keyboard, use the built-in beat and chord functions to create a simple loop

  • Or—my favorite—create one together with students using technology

That’s where YuStudio came in.

Using YuStudio to Build a Backbeat With Students

To bring this idea back into my classroom, I used the song “Valentine” and involved students in creating the backbeat using YuStudio, one of the seven creative tools included in MusicFirst Elementary.

👉 You can explore MusicFirst Elementary with a free 30-day trial here:
https://www.musicfirstelementary.com/

Here’s how we approached it:

  1. We logged into MusicFirst Elementary and launched YuStudio.

  2. Together, we:

    • Titled the project

    • Set the key

    • Chose the tempo

  3. We navigated to Sounds → Packs → Instruments and began building our loop.

Student-Centered Decision Making

This part was especially powerful for engagement.

  • Students auditioned different drum loops

  • We selected two favorites to compare

  • Students voted—or I used Wheel of Names to choose a student or group to decide
    👉 https://wheelofnames.com/

We followed the same process for:

  • Bass loops

  • A melodic instrument that would later support improvisation

Every step reinforced listening skills, musical decision-making, and ownership.

Setting Up for Improvisation

Once our backbeat was ready, I set up the room with:

  • Pitched instruments tuned to C pentatonic

  • Non-pitched acoustic instruments for rhythmic exploration

We then structured the lesson using an ABACADA form:

  • A Section:
    Students sang the song over the backbeat with the melodic track muted.

  • B Section:
    Pitched instruments improvised new melodies based on the rhythm of the text, with the melodic track unmuted.

  • D Section:
    Non-pitched instruments improvised using rhythmic motifs from the song, such as:

    • “Val-en-tine” (ti-ti ta)

    • “Please be mine” (ta ta ta rest)

This structure gave students freedom within a clear musical framework, which made improvisation feel safe and successful.

A Simple Idea—Big Musical Impact

The video above captures the process. Sometimes the most meaningful classroom moments come from revisiting ideas we already know—just with fresh tools and a new lens.

I hope this inspires you to bring back the backbeat and watch your students thrive musically, just like mine did. 🎶

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